Ephemera and Artifacts
Object Details
- Collection Creator
- Cornell, Joseph
- See more items in
- Joseph Cornell papers
- Sponsor
- Funding for the processing and digitization of this collection was provided by the Getty Foundation and the Terra Foundation for American Art.
- Extent
- 0.8 Linear feet (Boxes 18, 23)
- Date
- 1858-1946
- Archival Repository
- Archives of American Art
- Identifier
- AAA.cornjose, Series 5
- Type
- Archival materials
- Collection Citation
- Joseph Cornell papers, 1804-1986, bulk 1939-1972. Archives of American Art, Smithsonian Institution.
- Arrangement note
- As far as possible, material is arranged in chronological order. For storage and preservation purposes, loose objects that cannot be housed in folders are housed together within smaller boxes, which are then housed in an archival box. For descriptive purposes, loose objects are treated as one file with an item list (provided below).
- Collection Rights
- The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
- Existence and Location of Copies
- The bulk of this series has been scanned with the exception of loose objects.
- Scope and Contents note
- Series consists of various items of ephemera and memorabilia, and various artifacts. Included are Victorian cards, an album of remembrance with entries by various individuals who were friends and acquaintances of the original owner, an autograph book, cartes-de-visite, dried flowers from Lawrence farm, cabinet cards (including one of Fanny Ward), hat pins, leather post cards, tobacco cards, boxes with cloth scraps and dried flowers from Ulysses S. Grant's funeral (which were mementos belonging to Cornell's grandparents), a papier-mache pull-toy horse, a shell box, sheet music, plastic dolls, match boxes, stuffed bird figures, metal pendants, clockhands, wood and cork pieces, beads, and other material. Most, if not all, of this material was accumulated by Cornell in the course of his regular collecting activities. Some of the objects are of uncertain origin and may have belonged to his brother, Robert. Cornell seems to have used some of these items, including the tobacco cards, sheet music, hat pins, leather post cards, cartes-de-visite, autograph book, and miniature rug samples, in a layout he designed for Good Housekeeping magazine. Other items, including the shell box, papier-mache pull-toy horse, and memento boxes from General Grant's funeral, seem to have been part of the 1982 exhibition, "Joseph Cornell: An Exploration of Sources," at the National Museum of American Art, which presented a select group of boxes and collages in the context of his source materials. ( See Series 10 for a letter from the Acting Director of NMAA identifying these materials.) Other items in this series, such as the wood and cork pieces, the clockhands, and wooden beads, could also constitute some of the found objects that Cornell collected and often used in many of his box constructions. Items, such as dried flowers from Lawrence farm and even the memento boxes of Grant's funeral, could constitute those objects that Cornell often collected as souvenirs and memorabilia relating to a particular event or idea. The dried flowers, for instance, seem to relate to the GC 44 "exploration," of which Cornell's visits to Lawrence farm played a part.
- Collection Restrictions
- Use of the original papers requires an appointment.
- Record ID
- ebl-1503512335132-1503512335246-6
- Metadata Usage
- CC0
