Eula Mae Narcomey Doonkeen (Seminole) in the American Indian Exposition Parade. Anadarko, Oklahoma, ca. 1952. (45EXCW6) © 2014 Estate of Horace Poolaw.
National Museum of the American Indian George Gustav Heye Center
One Bowling Green
New York, NY
Horace Poolaw (Kiowa, 1906–84) was born during a time of great change for his people—one year before Oklahoma statehood and six years after the U.S. government approved an allotment policy that ended the reservation period. A rare American Indian photographer who documented Indian subjects, he began making a visual history in the mid-1920s and continued for the next 50 years.
Poolaw photographed his friends and family and events important to them—weddings, funerals, parades, fishing, driving cars, going on dates, going to war, playing baseball. When he sold his photos at fairs and community events, he often stamped the reverse: “A Poolaw Photo, Pictures by an Indian, Horace M. Poolaw, Anadarko, Okla.” Not simply by “an Indian,” but by a Kiowa man strongly rooted in his multi-tribal community, Poolaw’s work celebrates his subjects’ place in American life and preserves an insider’s perspective on a world few outsiders are familiar with—the Native America of the Southern Plains during the mid-20th century.
