Object Details
- Artist
- Utagawa Toyoharu (1735-1814)
- Label
- Because of its beauty, lightness, and durability, lacquer was widely used in Japan for utensils and containers to serve food and drink. In this scene depicting a winter party are a number of red and black lacquer utensils, many of them embellished with gold maki-e (decoration of sprinkled gold or silver powder). To the right, an entertainer holding a shamisen (a stringed instrument played with a plectrum) sips sake (rice wine) from a red lacquer cup held by a wealthy person. Before him is a red lacquer tray holding a black lacquer soup cup with cover and pair of chopsticks probably made of ivory. Beside the tray is his tobacco pouch with the attached netsuke (toggle) which would suspend it from his sash.
- Farther to the left is a young dandy, holding his red lacquer sake cup as he gazes transfixed at the young shamisen player who tunes her instrument. In the foreground are a red lacquer stand and tray holding lacquer and ceramic dishes and containers of food. Behind the young man is a charcoal brazier holding an iron cooking pot. The doors to the veranda are open to a wintry garden scene, a peaceful contrast to the warmth and gaeity within the house.
- Utagawa Toyoharu was an accomplished painter whose work records in detail the contemporary scenes of Edo. In this carefully executed painting he has paid meticulous attention to details of the costumes and setting. A decorative effect is created by the embellishment of contour lines with gold. Toyoharu had a strong interest in European concepts of perspective, and designed some prints of such unusual subjects as the Roman forum.
- Provenance
- To 1900
- Bunkio Matsuki (1867-1940), Boston, to 1900 [1]
- From 1900 to 1919
- Charles Lang Freer (1854-1919), purchased from Bunkio Matsuki in 1900 [2]
- From 1920
- Freer Gallery of Art, gift of Charles Lang Freer in 1920 [2]
- Notes:
- [1]
- See Original Kakemono List, pg. 51, Freer Gallery of Art and Arthur M. Sackler Gallery Archives.
- [2] See note 1.
- [3] The original deed of Charles Lang Freer's gift was signed in 1906. The collection was received in 1920 upon the completion of the Freer Gallery.
- Collection
- Freer Gallery of Art Collection
- Exhibition History
- Inventing Utamaro: A Japanese Masterpiece Rediscovered (April 8 to July 9, 2017)
- Seasons: Arts of Japan (February 5, 2011 to January 13, 2013)
- Artists of Edo (November 19, 2005 to May 29, 2006)
- Surveying the Collections: Poets and Parties (July 2, 2000 to February 4, 2001)
- Japanese Art (May 9, 1993 to August 1, 1994)
- Japanese and Chinese Lacquer (September 22, 1982 to June 30, 1983)
- Japanese Ukiyo-e Painting (May 2, 1973 to July 1, 1974)
- Centennial Exhibition, Galleries 3 and 4 (February 25, 1956 to January 1, 1963)
- Untitled Exhibition, Japanese Art, 1955 (October 25, 1955 to November 22, 1955)
- Untitled Exhibition, Japanese Art (October 3, 1947 to February 25, 1956)
- Previous custodian or owner
- Bunkio Matsuki 松木文恭 (1867-1940) (C.L. Freer source)
- Charles Lang Freer (1854-1919)
- Credit Line
- Gift of Charles Lang Freer
- 18th-19th century
- Period
- Edo period
- Accession Number
- F1900.113
- Restrictions & Rights
- Usage conditions apply
- Type
- Painting
- Medium
- Color and gold on silk
- Dimensions
- H x W (image): 52.9 x 96.6 cm (20 13/16 x 38 1/16 in)
- Origin
- Japan
- Related Online Resources
- Google Cultural Institute
- See more items in
- Freer Gallery of Art and Arthur M. Sackler Gallery Collection
- Freer Gallery of Art and Arthur M. Sackler Gallery
- Topic
- landscape
- winter
- Edo period (1615 - 1868)
- man
- celebration
- shamisen
- Japan
- ukiyo-e
- kakemono
- Japanese Art
- Charles Lang Freer collection
- Record ID
- fsg_F1900.113
- GUID (Link to Original Record)
- http://n2t.net/ark:/65665/ye31f5b72ae-901a-44c0-9749-69f7249bde19
