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Oral history interview with Marvin Lipofsky

Archives of American Art

Object Details

General
Originally recorded on 6 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 6 hrs., 31 min.
Interviewee
Lipofsky, Marvin, 1938-2016
Interviewer
Karlstrom, Paul J.
Creator
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Names
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Topic
Glass artists -- California -- Interviews
Decorative arts
Glass art
Provenance
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Interviewee
Lipofsky, Marvin, 1938-2016
Interviewer
Karlstrom, Paul J.
Creator
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America
Sponsor
Funding for this interview was provided by the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Biographical / Historical
Marvin Bentley Lipofsky (1938- ) is a glass artist and educator from Berkeley, California. Paul Karlstrom (1941- ) is an art historian from San Marino, California.
Extent
103 Pages (Transcript)
Date
2003 July 30-August 5
Archival Repository
Archives of American Art
Identifier
AAA.lipofs03
Type
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Existence and Location of Copies
Transcript available on line.
Genre/Form
Sound recordings
Interviews
Scope and Contents
An interview of Marvin Lipofsky conducted 2003 July 30-August 5, by Paul Karlstrom, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Lipofsky speaks of growing up in the retail clothing trade; relating immediately in his early career to artists Peter Voulkos and John Mason; studying industrial design at the University of Illinois and sculpture at the University of Madison, Wisconsin, where Harvey Littleton introduced him to glass blowing; traveling to Europe to learn about glass; his desire to share education experiences with others; setting up education programs at Berkeley and the California College of Arts and Crafts; establishing the Great California Glass Symposium and creating a sense of community of glass art; artists versus artisans and craftsmen; studio glass as an American phenomenon; functional versus non-functional glass art; spirituality in his work; glassblowing associated with the breath of life; the Bay Area art scene; symbolic forms and organic quality of works; influences from working in factories and other countries; his experience working at the Venini Factory in Murano, Italy; his involvement in the California College of Arts and Crafts, Glass Arts Society, and National Council on Education for the Ceramic Arts; abstraction as his main subject of works; inspirations of colorful clothing and color in nature; and the "American Glass Now" exhibition at the Toledo Museum of Art, the first major glass exhibit in the United States. Lipfosky also recalls Dante Marioni, Paul Marioni, Beatrice Wood, Christopher Wilmarth, Ken Holston, Dale Chihuly, and others.
Restrictions
Transcript available on the Archives of American Art website.
Related link
Record ID
ebl-1596369627630-1596369627633-0
Metadata Usage
CC0
GUID
https://n2t.net/ark:/65665/mw910ac1e58-f1cc-4dff-8f7f-5c64a49fe491
View Oral history interview with Marvin Lipofsky, 2003 July 30-August 5, Transcript
Oral history interview with Marvin Lipofsky, 2003 July 30-August 5, Digital Sound Recording (Excerpt)
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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