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Althea Gibson

National Portrait Gallery

Object Details

Artist
Brian Lanker, 31 Aug 1947 - 13 Mar 2011
Sitter
Althea Gibson, 25 Aug 1927 - 28 Sep 2003
Exhibition Label
Born Silver, South Carolina
I knew that I was an unusual, talented girl through the grace of God. I didn’t need to prove that to myself. I only wanted to prove it to my opponents.
— Althea Gibson
Before claiming eleven Grand Slam titles and her sport’s top ranking, tennis great Althea Gibson had to contend with racism that excluded her from the nation’s most prestigious courts. In 1946, after reaching the national finals of the American Tennis Association (ATA)—Black tennis’s alternative to the all-white United States Lawn Tennis Association (USLTA)—Gibson secured the mentorship of two ATA members who believed she could break the sport’s color barrier.
Despite Gibson’s impressive record on the Black amateur tennis circuit, the USLTA banned her from competing until its 1950 championship, where she lost to reigning Wimbledon champion Louise Brough. Gibson rebounded by becoming the first Black player to win a Grand Slam title with her singles victory at the 1956 French Open. She cemented her place in sports history with consecutive singles championships at Wimbledon and the U.S. Open (1957; 1958) and six Grand Slam doubles titles.
Nacida en Silver, Carolina del Sur
Yo sabía que era una niña peculiar y talentosa por la gracia de Dios. No necesitaba probármelo a mí misma. Solo quería probárselo a mis oponentes.
—Althea Gibson
Antes de conquistar 11 títulos de Grand Slam y la cumbre del tenis, la gran Althea Gibson afrontó un racismo que la excluía de las canchas más prestigiosas del país. En 1946, tras llegar a la final nacional de la Asociación Americana de Tenis (ATA) —la alternativa negra a la Asociación de Tenis sobre Césped de Estados Unidos (USLTA)—, Gibson obtuvo el apoyo de dos miembros de la ATA que creían que ella podía romper la barrera racial en dicho deporte.
A pesar de su impresionante historial en el circuito amateur negro, la USLTA le prohibió competir hasta el campeonato de 1950, donde perdió contra la campeona reinante de Wimbledon, Louise Brough. Gibson se recuperó y fue la primera jugadora negra que ganó un título de Grand Slam con su victoria en sencillos en el Abierto de Francia de 1956. Su lugar en la historia se consolidó con campeonatos consecutivos en sencillos en Wimbledon y el Abierto de EE.UU. (1957; 1958) y seis títulos de Grand Slam en dobles.
Credit Line
National Portrait Gallery, Smithsonian Institution; partial gift of Lynda Lanker and a museum purchase made possible with generous support from Robert E. Meyerhoff and Rheda Becker, Agnes Gund, Kate Kelly and George Schweitzer, Lyndon J. Barrois Sr. and Janine Sherman Barrois, and Mark and Cindy Aron
1988
Object number
NPG.2021.107
Restrictions & Rights
Usage conditions apply
Copyright
© Brian Lanker Archive
Type
Photograph
Medium
Gelatin silver print
Dimensions
Image: 71.2 × 71.4 cm (28 1/16 × 28 1/8")
Sheet/Mount: 81.8 × 75.4 cm (32 3/16 × 29 11/16")
Mat: 88.3 × 86.9 cm (34 3/4 × 34 3/16")
Frame: 90.8 × 89.5 × 4.4 cm (35 3/4 × 35 1/4 × 1 3/4")
See more items in
National Portrait Gallery Collection
Location
Currently not on view
National Portrait Gallery
Topic
Costume\Jewelry\Necklace
Costume\Jewelry\Earring
Interior
Interior\Studio
Equipment\Sports Equipment\Tennis racket
Althea Gibson: Female
Althea Gibson: Arts and Culture\Performing Arts\Music\Musician\Singer
Althea Gibson: Arts and Culture\Literature\Writer\Biographer
Althea Gibson: Sports\Athlete\Golfer
Althea Gibson: Politics and Government\Civil servant
Althea Gibson: Sports\Athlete\Tennis
Portrait
Record ID
npg_NPG.2021.107
Metadata Usage (text)
Usage conditions apply
GUID (Link to Original Record)
http://n2t.net/ark:/65665/sm4a595f789-91c5-4a93-a167-e2ab3b8c5592
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
View manifest View in Mirador Viewer

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