sjbanner.jpg (93236 bytes)
Click for SITES exhibition description.
Click for SITES exhibition itinerary.
Click for publications.

Seeing Jazz

Artists and Writers on Jazz

The title Seeing Jazz is a layered play on words that refers to the artistic and literary works here as visualizations of music--visible equivalents to the sound of jazz--and also to "seeing" in the metaphoric sense of understanding: to get hip and then hipper, to hear jazz more deeply than ever before, to dig this music, to say "yes, I see."

Click for photo credit.Seeing Jazz presents jazz music as an expression of the United States in the 20th century--the music of e pluribus unum with a swinging beat--and as a multicolored blue cornerstone of what the world knows as modernism in art. As such, this music has had an impact on many other modern musics, at home and abroad, "classical" as well as "popular." Jazz is a part of a super-charged cultural continuum in which painters, sculptors, photographers, poets, novelists, and essayists have worked (and played) to capture with their pens and brushes, their wood and paper, and with light the irresistible note and trick and dance of the music.

How does one begin to define this music that was born in the port towns and big cities of black America and adopted by the world as its own?

From the earliest shy flights of James Reese Europe's military "jass" bands of the 1910s to the latest experiments by bold jazz innovators, three aspects of jazz have emerged as definitive: complexity of rhythm, the magic of improvisation, and conversational call and response. Click for photo credit.These terms provide the title and theme for each of the three chapters in the book published by Chronicle Books to accompany the exhibition.

"Seeing Jazz is an evocative experiment--a place to begin, not the last word. It is not an encyclopedic effort to gather all of the jazz paintings and poems from around the world and across the century of this music's existence. Rather it is a playful attempt to illustrate how this music has made its cross-disciplinary mark. It also endeavors to capture the full-spirited extravagance of joy so unmistakable in the music; it strives to swing."

Robert O'Meally, from his essay in Seeing Jazz

Links

Educational Resources

"Seeing Jazz... And Talking About It," a symposium held in New York

 

America's Jazz Heritage Home Page